The problematics of music patrimonialization have not been given particular attention from a historical-conceptual point of view, even though the development of musicology is closely related to the definition of heritage and the assumption of music as an integral part of that heritage, often in correlation with the dissemination of identity or nationalist ideals, or with the construction of an idea of ‘tradition’. This is the starting point for CESEM – NOVA FCSH / IN2PAST researcher Paulo Ferreira de Castro‘s conference in Évora, on May 19th.
At a time when cultural issues tend to claim increasing prominence, the aim of this conference is to encourage reflection on the theoretical, historical, social, anthropological, and political complexity of the concept of heritage, as well as the many implications of the processes of patrimonialization in the production, preservation, dissemination, (re-)signification, and valorization of different musical practices.