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5th IN2PAST National Meeting

Debate session 1: Intervene

21/01/2025

The focus of the session is on issues of cultural heritage conservation in its multiple scales and incidences, from the landscape to the artefact. Intervention modes are discussed, identifying good practices and their potential for replication in response to contemporary challenges.

Moderators:
Isabel Maria Fernandes (Lab2PT – University of Minho)
Milene Gil (HERCULES – University of Évora)

Rapporteurs
Ana Catarina Antunes (CHAIA – UÉvora)
Francisco Mendes (Lab2PT – UMinho)

Members
Catarina Miguel (HERCULES – UÉvora)
Fabio Stizia (HERCULES – UÉvora)
Gertrudes Branco (CHAIA – UÉvora)
Mariana Pinto dos Santos (IHA – NOVA FCSH)
Susana Flor (IHA – NOVA FCSH)
Xerardo Pereiro (CRIA – UMinho)

ASSOCIATED POSTERS

Ana Catarina Antunes (CHAIA – UÉvora) | Tapadas dos Palácios Reais: Espaços de Resiliência. Para uma requalificação espacial e arquitectónica

Cláudia Melo (CHAIA – UÉvora) | O Douro transfronteiriço e o seu património natural e cultural: a arquitectura escondida como potenciadora da experiência humana entre contemplação – acção

Constança Arouca (CRIA – NOVA FCSH) | Dois museus na aldeia de produção de pintura popular, Đong Hồ

Fabio Sitzia (HERCULES – UÉvora) | The Romanesque-style rural church of Portugal: An initial stride towards the complete digitalization by Heritage-BIM The case study of S. João de Calvos (Guimarães, 13th Cent. AD)

Gertrudes Branco, Nelson J. Almeida, Inês Ribeiro (CHAIA – UÉvora) | Património arqueológico, registo científico, espólios e destruições: olhares sobre uma relação complexa

João Gabriel Caia, Ana Catarina Antunes, Ana Martins, Cláudia Sousa, Gil Vilarinho
(IHC – UÉvora) | DECANTE: o vinho como património imaterial comunitário de Évora

Laura Mineiro Teixeira (CRIA – NOVA FCSH) | Museus amadores, cultura material e agência: a produção do museu imaginado das Caxinas

Maria João Penetra, António Candeias, Catarina Miguel, Ana Teresa Caldeira (HERCULES – UÉvora) | Microbiota evaluation of parchments of different animal sources

Maria Manuela Restivo (CRIA – UMinho) | Activating vernacular heritages in the 21 century: towards an organic model of preservation

Mariana Pinto dos Santos (IHA – NOVA FCSH) | As pinturas murais de Almada Negreiros na Gare Marítima da Rocha do Conde de Óbidos no contexto pós-Segunda Guerra Mundial e da política colonial do Estado Novo

Milene Gil, Inês Cardoso, Mafalda Costa, José C. Frade (HERCULES – UÉvora) | Muralistas Modernos em Destaque: Caraterísticas Técnicas e Materiais das Pinturas Murais de Almada Negreiros de 1946-1949 em Lisboa (Parte1)

Mounir Sabeh Affaki (CRIA – Iscte) | The (Un)Design of Conflict Memories: Memorial Projects as (Slow) Psychosocial Interventions

Pedro Vaz (IHA – NOVA FCSH) | O espelho do museu no acesso direto ao mundo: O site-specific e o seu potencial de transformação de paradigmas museológicos

Rita Assunção (IHA – NOVA FCSH) | Museus inclusivos: Análise de práticas imersivas para pessoas com dificuldades intelectuais e desenvolvimentais

Sílvia Macedo Arantes, Fabio Sitzia, Carla Lisci, Ana Teresa Caldeira (HERCULES – UÉvora) | Assessment of microbial communities present in white-painted historic buildings in southern and coastal Portugal

Simão Palmeirim e Milene Gil (HERCULES – UÉvora) | Traçando o Percurso Artístico: Dos estudos preliminares de Almada Negreiro aos murais pintados em 1949 na Gare Marítima da Rocha do Conde de Óbidos, Lisboa (Portugal)

Susana Varela Flor (IHA – NOVA FCSH), Delminda Rijo (CML/ GEO), Hélia Silva (CML/ GEO/ IHA), José Manuel Pimenta (Patriarcado de Lisboa), Pedro Flor (IHA – NOVA FCSH) e Sílvia Ferreira (IHA – NOVA FCSH) | O Património Religioso e a Regeneração Urbana: propostas de soluções colaborarias para as freguesias de Santa Catarina e Misericórdia em Lisboa

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