{"id":14367,"date":"2025-04-08T17:19:55","date_gmt":"2025-04-08T16:19:55","guid":{"rendered":"https:\/\/in2past.org\/?p=14367"},"modified":"2026-01-23T06:22:50","modified_gmt":"2026-01-23T06:22:50","slug":"almada-murals-interpretation-centre-opens-to-the-public","status":"publish","type":"post","link":"https:\/\/in2past.org\/pt\/news\/almada-murals-interpretation-centre-opens-to-the-public\/","title":{"rendered":"Centro de Interpreta\u00e7\u00e3o dos Murais de Almada abre ao p\u00fablico"},"content":{"rendered":"\t\t
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Almada murals at the Alc\u00e2ntara Maritime Station \u00a9 Centro Interpretativo Almada Negreiros (CIAN)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Inaugurated at the Alc\u00e2ntara Maritime Station<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Almada Murals Interpretation Centre opens to the public<\/b><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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IN2PAST is a partner through IHA, CEDANSA and HERCULES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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8\/4\/2025 (updated 11\/4\/2025)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Almada Murals at the Maritime Stations Interpretation Centre<\/a> was inaugurated yesterday, April 7th<\/sup>, at the Alc\u00e2ntara Maritime Station, in Lisbon, Portugal. IN2PAST is a partner through the Art History Institute (IHA, in the Portuguese acronym), the Almada Negreiros \u2013 Sarah Affonso Study and Documentation Center CEDANSA and HERCULES Laboratory. In charge of content design and scientific coordination was IHA \u2013 NOVA FCSH \/ IN2PAST researcher Mariana Pinto dos Santos<\/a>. \u00a0<\/p>

The much awaited Interpretation Centre gives new meaning to the two sets of murals modernist artist Jos\u00e9 Sobral de Almada Negreiros created in the 1940s for Lisbon’s maritime stations of Alc\u00e2ntara and Rocha do Conde de \u00d3bidos, the largest set of 20th<\/sup>-century mural painting in Portugal. The centre details the artwork, sets out the artistic and political context in which it was created, and tells some of the stories the walls of the maritime stations bore witness to over the years \u2013 stories of departures and arrivals, and of people passing through the Lisbon harbour, on their way to different places.<\/p>

Almada\u2019s work both at Alc\u00e2ntara and Rocha do Conde de \u00d3bidos was unique in the context of artistic commissions for public works during the Portuguese dictatorship, since they dealt with topics such as emigration, poverty and the hard labour at the piers. The murals caused controversy, and the second set, at Rocha do Conde de \u00d3bidos, was at one time in danger of being destroyed.<\/p>

Completed in 1945, the eight mural panels in the Alc\u00e2ntara hall are divided into national mythology from popular tradition and a more realistic portrait of a riverside Lisbon. In the Rocha do Conde de \u00d3bidos project, started in 1946 and finalised in 1949, Almada abandoned the narrative dependence displayed in Alc\u00e2ntara, treating the figures in a more geometric way and applying the colours in blocks, without gradations or three-dimensional illusion, \u2018in a combination of cubism and graphic arts\u2019, says art historian and curator Mariana Pinto dos Santos. \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Mariana Pinto dos Santos in the first person<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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‘The aim was to show that Almada did not paint those themes just anywhere, but at a pivotal point in social and political events, and he was aware of this, because instead of invoking the distant past glorified in the nationalist narrative of the Estado Novo propaganda, he questioned and dialogued with his own time.’<\/p>

‘The biggest challenge was to combine knowledge from different areas and about different eras. Above all, the biggest challenge was trying to show how, through these mural paintings, you can summon up a series of historical information that is very relevant to understanding the paintings themselves, and what lives and experiences, many traumatic, they witnessed.’<\/p>

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Read the full testimonial here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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IHA \u2013 NOVA FCSH \/ IN2PAST researcher Mariana Pinto dos Santos is the scientific curator of the Almada Interpretation Centre. \u00a9 Rita Carmo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Thanks to the involvement of World Monuments Fund<\/a>, restoration of the paintings at the Alc\u00e2ntara station will begin soon and visitors of the Interpretation Centre, funded by Turismo de Lisboa, will be able to see it in progress. Restoration of the murals at Rocha do Conde de \u00d3bidos was concluded in November 2024 and can now be fully enjoyed by visitors.<\/p>

In both stations, the murals are on floor 1, whereas the new Interpretation Centre is located in floor zero of the Alc\u00e2ntara station, with a total of nine rooms: \u2018Quay\u2019, dedicated to the construction of the stations designed for large passenger ships; \u2018What the walls have to tell\u2019, regarding the long process of mural designing displayed through varied documentation; \u2018Passages\u2019, with stories of migratory transits related to World War II; \u2018Departures\u2019, focused on the different departures the stations witnessed, namely regular passenger traffic, emigration, and related to African colonisation.<\/p>

In the \u2018Arrivals\u2019 room you can get to know stories of travellers, tourists, people wanting to enter Europe, Africans who came to study at the Casa dos Estudantes do Imp\u00e9rio, or soldiers returning from the colonial war imposed by the Estado Novo regime. The \u2018Mural history\u2019 room exhibits the main moments of the history of mural painting reinterpreted by illustrator Jo\u00e3o Fazenda. Room \u2018Hearsay\u2019 is devoted to reports and interviews about Almada\u2019s murals and testimonials of the artist.<\/p>

\u2018Almada in Lisbon\u2019 guides the visitor through ten places in the Portuguese capital where you can find works by Almada Negreiros; and last but not least, \u2018Almada Negreiros, artist\u2019 introduces you to key moments in the life and work of the painter.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Almada murals at the Rocha do Conde de \u00d3bidos Maritime Station \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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‘Arrivals’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Almada murals at the Alc\u00e2ntara Maritime Station\u00a0\u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Room ‘Almada Negreiros, artist’ at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Almada murals at the Rocha do Conde de \u00d3bidos Maritime Station \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Passagens’ room at the Almada Murals at the Maritime Stations Interpretation Centre\u00a0\u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Arrivals’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Hearsay’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Almada in Lisbon’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Departures’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Mural history’ room at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Room ‘What the walls have to tell’ at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Room ‘Almada Negreiros, artist’ at the Almada Murals at the Maritime Stations Interpretation Centre \u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Arrivals’ room at the Almada Murals at the Maritime Stations Interpretation Centre\u00a0\u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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‘Departures’ room at the Almada Murals at the Maritime Stations Interpretation Centre\u00a0\u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Room ‘Cais’ at the Almada Murals at the Maritime Stations Interpretation Centre\u00a0\u00a9 CIAN<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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The shuttle for visitor transportation between the two stations \u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t

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\u00a9 Sara Charneca<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAll News<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Almada murals at the Alc\u00e2ntara Maritime Station \u00a9 Centro Interpretativo Almada Negreiros (CIAN) Inaugurated at the Alc\u00e2ntara Maritime Station Almada Murals Interpretation Centre opens to the public IN2PAST is a partner through IHA, CEDANSA and HERCULES 8\/4\/2025 (updated 11\/4\/2025) The Almada Murals at the Maritime Stations Interpretation Centre was inaugurated yesterday, April 7th, at the […]<\/p>\n","protected":false},"author":1,"featured_media":14505,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-14367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/comments?post=14367"}],"version-history":[{"count":76,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14367\/revisions"}],"predecessor-version":[{"id":14582,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14367\/revisions\/14582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/media\/14505"}],"wp:attachment":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/media?parent=14367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/categories?post=14367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/tags?post=14367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}