{"id":14220,"date":"2025-04-07T14:24:17","date_gmt":"2025-04-07T13:24:17","guid":{"rendered":"https:\/\/in2past.org\/?p=14220"},"modified":"2025-04-07T15:21:23","modified_gmt":"2025-04-07T14:21:23","slug":"ceiling-paintings-up-close-and-personal","status":"publish","type":"post","link":"https:\/\/in2past.org\/pt\/news\/ceiling-paintings-up-close-and-personal\/","title":{"rendered":"Pinturas no teto de perto e pessoalmente"},"content":{"rendered":"
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Estudado pela primeira vez no \u00e2mbito do projeto ARIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pinturas no teto de perto e pessoalmente<\/b><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Para o estudo interdisciplinar da Biblioteca Musical de D. Jo\u00e3o IV<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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7\/4\/2025<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Os investigadores do projeto IN2PAST, financiado pelo Projeto ARIA<\/a> A equipa de investigadores da Universidade de Coimbra escalou andaimes para estudar os materiais e as t\u00e9cnicas utilizadas nas pinturas do teto das Salas da M\u00fasica do Pa\u00e7o Ducal de Vila Vi\u00e7osa, no Alentejo, Portugal. Nada de novo para os cientistas habituados a estudar grandes murais, mas estes frescos ainda n\u00e3o tinham sido estudados cientificamente. A equipa combinar\u00e1 as an\u00e1lises no local com a investiga\u00e7\u00e3o em documentos hist\u00f3ricos e literatura.<\/p>

O ARIA: Arte, Ritmo, Intonaco, Anal\u00edtica \u2013 Um Estudo Interdisciplinar da Biblioteca Musical de D. Jo\u00e3o IV em Vila Vi\u00e7osa \u00e9 um projeto explorat\u00f3rio com a dura\u00e7\u00e3o de um ano aprovado em 2024<\/a>. Um dos principais locais de trabalho de campo \u00e9 o Pa\u00e7o Ducal de Vila Vi\u00e7osa, nomeadamente as duas salas conhecidas como Biblioteca de M\u00fasica, onde a equipa aplicou recentemente t\u00e9cnicas de fotogrametria n\u00e3o invasiva \u00e0s pinturas murais do teto, permitindo a preserva\u00e7\u00e3o da integridade das obras de arte e revelando detalhes ocultos, como fissuras ou perda de pigmento.<\/p>

Para al\u00e9m de permitir uma maior precis\u00e3o num futuro restauro, este m\u00e9todo facilita tamb\u00e9m a preserva\u00e7\u00e3o digital e o acesso mais alargado do p\u00fablico atrav\u00e9s de r\u00e9plicas virtuais. As m\u00faltiplas imagens de alta resolu\u00e7\u00e3o captadas de v\u00e1rios \u00e2ngulos permitir\u00e3o a cria\u00e7\u00e3o de um modelo 3D detalhado, a incluir na virtualiza\u00e7\u00e3o imersiva das salas da Biblioteca Musical. Um dos resultados do projeto ARIA dever\u00e1 ser uma plataforma web totalmente funcional com um modelo 3D interativo da biblioteca e uma cole\u00e7\u00e3o de fotografias pesquis\u00e1veis.<\/p>

A an\u00e1lise pioneira a partir do alto dever\u00e1 tamb\u00e9m dar origem a um relat\u00f3rio exaustivo sobre as fases de constru\u00e7\u00e3o e o estudo art\u00edstico dos tectos com frescos do Pal\u00e1cio Ducal, oferecendo uma vis\u00e3o do patrim\u00f3nio hist\u00f3rico e art\u00edstico do local. Membros da equipa Lu\u00eds Dias<\/a> e Milene Gil<\/a> (HERCULES - Universidade de \u00c9vora \/ IN2PAST) foram acompanhados no local pelo ARIA PI Isabel Pires<\/a> (CESEM - NOVA FCSH \/ IN2PAST) e co-PI Susana Varela Flor<\/a> (IHA - NOVA FCSH \/ IN2PAST), bem como o conservador-restaurador especializado em pintura mural Jos\u00e9 Artur Pestana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Lu\u00eds Dias (HERCULES - Universidade de \u00c9vora \/ IN2PAST), membro da equipa ARIA, no alto. \u00a9 Projeto ARIA, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Capturar os pormenores da pintura de perto e pessoalmente. \u00a9 Projeto ARIA, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Da esquerda para a direita: Isabel Pires, Susana Varela Flor e Milene Gil.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Milene Gil.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Lu\u00eds Dias.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 Projeto ARIA, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Milene Gil.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Conservador-restaurador de pintura mural Jos\u00e9 Artur Pestana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 Projeto ARIA, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tTodas as not\u00edcias<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Estudadas pela primeira vez no \u00e2mbito do projeto ARIA Pinturas do teto em primeira m\u00e3o Para o estudo interdisciplinar da Biblioteca Musical de D. Jo\u00e3o IV 7\/4\/2025 Investigadores do projeto ARIA, financiado pelo IN2PAST, treparam a andaimes para estudar os materiais e as t\u00e9cnicas utilizadas nas pinturas do teto das Salas da M\u00fasica do Pal\u00e1cio Ducal [...]<\/p>","protected":false},"author":1,"featured_media":14221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-14220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/comments?post=14220"}],"version-history":[{"count":32,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14220\/revisions"}],"predecessor-version":[{"id":14276,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/14220\/revisions\/14276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/media\/14221"}],"wp:attachment":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/media?parent=14220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/categories?post=14220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/tags?post=14220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}