{"id":12370,"date":"2025-02-19T16:12:00","date_gmt":"2025-02-19T16:12:00","guid":{"rendered":"https:\/\/in2past.org\/?p=12370"},"modified":"2025-02-19T17:32:00","modified_gmt":"2025-02-19T17:32:00","slug":"when-an-exhibition-reflects-the-process-of-knowledge","status":"publish","type":"post","link":"https:\/\/in2past.org\/pt\/news\/when-an-exhibition-reflects-the-process-of-knowledge\/","title":{"rendered":"Quando uma exposi\u00e7\u00e3o reflecte o processo de conhecimento..."},"content":{"rendered":"
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\u2018Investigar para Expor: Artistas na F\u00e1brica\u2019, 15 de fevereiro, Leiria<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Quando uma exposi\u00e7\u00e3o reflecte o processo de conhecimento...<\/b><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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... e convida a um maior desenvolvimento e questionamento<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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19\/02\/2025<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Compreender o contexto hist\u00f3rico, social, art\u00edstico e pol\u00edtico das obras apresentadas na exposi\u00e7\u00e3o \u2019Artistas na F\u00e1brica\u2019 exigiu n\u00e3o s\u00f3 identificar e combinar os resultados de muitas investiga\u00e7\u00f5es anteriores, mas tamb\u00e9m formular e desenvolver novas direc\u00e7\u00f5es de investiga\u00e7\u00e3o. A estrutura, o conte\u00fado e o discurso da exposi\u00e7\u00e3o reflectem o conhecimento que foi assim constru\u00eddo. E convidam ao seu desenvolvimento e questionamento, nomeadamente atrav\u00e9s de um programa de visitas e encontros (com acad\u00e9micos, incluindo investigadores do IN2PAST, e outros interessados), dirigido ao p\u00fablico, \u00e0s escolas e \u00e0 forma\u00e7\u00e3o de professores\u2018, defende Em\u00edlia Margarida Marques<\/a>, investigador do CRIA - Iscte \/ IN2PAST e co-curador da exposi\u00e7\u00e3o, que acolheu um visita guiada e a primeira palestra do projeto \u2018Investigar para Expor\u2019 do IN2PAST\u2019<\/a> (\u2018Investigar para expor\u2019) no s\u00e1bado, 15 de fevereiro.<\/p>

\u2018Artistas na F\u00e1brica - Tereza Arriaga, Jorge de Oliveira, Manuel Filipe, 1943-1945\u2019, patente no m|i|mo - museu da imagem em movimento, em Leiria, Portugal, at\u00e9 15 de junho, \u2018re\u00fane dezenas de obras de grande import\u00e2ncia no neorrealismo pl\u00e1stico portugu\u00eas, datadas dos \u00faltimos anos da II Guerra Mundial, e contextualiza-as nesse tempo hist\u00f3rico forte e nos territ\u00f3rios e din\u00e2micas sociais, art\u00edsticas e pol\u00edticas que as envolvem decisivamente\u2019, explica Margarida Marques. Nesses territ\u00f3rios e din\u00e2micas, cruzam-se dois sectores industriais - o vidro e o cimento, diferentes entre si em termos de processos de fabrico e infra-estruturas, estrutura de propriedade e autonomia e combatividade dos grupos de trabalhadores - e um centro urbano, marcado \u00e0 \u00e9poca pelo ativismo cultural antifascista\u2018, continua a investigadora.<\/p>

Esta investiga\u00e7\u00e3o j\u00e1 resultou no estudo de dois acervos arquiv\u00edsticos, diz Margarida Marques, um dos quais serve atualmente de base a um projeto pedag\u00f3gico sobre hist\u00f3ria local e educa\u00e7\u00e3o na Escola Secund\u00e1ria Eng.\u00ba Ac\u00e1cio Calazans Duarte, na Marinha Grande. O grupo disciplinar de professores de Hist\u00f3ria da escola est\u00e1 neste momento a preparar uma exposi\u00e7\u00e3o com os alunos sobre a hist\u00f3ria do estabelecimento\u2018, baseada em grande parte nos arquivos da centen\u00e1ria Escola Industrial Guilherme Stephens.<\/p>

O outro acervo arquiv\u00edstico que poder\u00e1 ser tratado em breve \u00e9 o arquivo do Leiria Gin\u00e1sio Clube (LGC), uma associa\u00e7\u00e3o desportiva e cultural que, nos anos focados na exposi\u00e7\u00e3o \u2019Artistas na F\u00e1brica\u2019, \u2018promoveu e acolheu grande parte do ativismo cultural antifascista em Leiria, O governador civil chegou a ponderar seriamente a sua dissolu\u00e7\u00e3o, o que n\u00e3o aconteceu porque, em 1947, o LGC fundiu-se com outros dois clubes locais, dando origem ao Ateneu Desportivo de Leiria, que ainda existe\u2019, refere a investigadora do CRIA - Iscte \/ IN2PAST. Esta cole\u00e7\u00e3o encontra-se no Arquivo Distrital de Leiria.<\/p>

A atividade \u2018Investigar para Expor: Artistas na F\u00e1brica\u2019, organizada no passado s\u00e1bado em colabora\u00e7\u00e3o com o m|i|mo e a C\u00e2mara Municipal de Leiria, incluiu uma visita guiada por Margarida Marques e pelo co-curador e investigador do IHA - NOVA FCSH \/ IN2PAST Raquel Henriques da Silva<\/a>, e uma conversa com os investigadores do IN2PAST F\u00e1tima Moura Ferreira<\/a> (Lab2PT \u2013 Universidade do Minho), Mariana Pinto dos Santos<\/a> (IHA \u2013 NOVA FCSH) e S\u00f3nia Vespeira de Almeida<\/a> (CRIA \u2013 NOVA FCSH).<\/p>

A iniciativa \u2018Investigar para Expor\u2019, que pretende convidar \u00e0 reflex\u00e3o sobre diferentes pr\u00e1ticas curatoriais e expositivas que activam e alimentam processos de investiga\u00e7\u00e3o cr\u00edtica e colaborativa, promovendo tamb\u00e9m o contacto direto com espa\u00e7os n\u00e3o acad\u00e9micos onde se apresenta e realiza investiga\u00e7\u00e3o, \u00e9 organizada pelos coordenadores do projeto IN2PAST Linha tem\u00e1tica 3 - Museus, monumentos e respectivas colec\u00e7\u00f5es<\/a>, Marta Prista<\/a> (CRIA \u2013 NOVA FCSH \/ IN2PAST) e Susana S. Martins<\/a> (IHA \u2013 NOVA FCSH \/ IN2PAST).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Margarida Marques guia a visita guiada \u00e0 exposi\u00e7\u00e3o \u2018Artistas na F\u00e1brica\u2019. \u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mariana Pinto dos Santos foi co-curadora da exposi\u00e7\u00e3o \u2018Exposi\u00e7\u00e3o \u2019Problemas com o primitivismo<\/a>. \u00a9 Marta Prista<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Margarida Marques guia a visita guiada \u00e0 exposi\u00e7\u00e3o \u2018Artistas na F\u00e1brica\u2019. \u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Raquel Henriques da Silva (\u00e0 esquerda) guia a visita guiada \u00e0 exposi\u00e7\u00e3o \u2018Artistas na F\u00e1brica\u2019. \u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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F\u00e1tima Moura Ferreira foi co-curadora da exposi\u00e7\u00e3o \u2018O Sil\u00eancio da Terra\u2019. \u00a9 Marta Prista<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 Marta Prista<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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\u00a9 J.G.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t

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Mariana Pinto dos Santos foi co-curadora da exposi\u00e7\u00e3o \u2018Troubles with Primitivism\u2019. \u00a9 Marta Prista<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tTodas as not\u00edcias<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u2018Investigar para Expor: Artistas na F\u00e1brica\u2019, 15 de fevereiro, Leiria Quando uma exposi\u00e7\u00e3o reflecte o processo de conhecimento... ... e convida ao aprofundamento e questionamento 19\/02\/2025 A compreens\u00e3o do contexto hist\u00f3rico, social, art\u00edstico e pol\u00edtico das obras que integram a exposi\u00e7\u00e3o \u2019Artistas na F\u00e1brica\u2019 exigiu n\u00e3o s\u00f3 a identifica\u00e7\u00e3o e conjuga\u00e7\u00e3o dos resultados de muitos [...]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-12370","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/12370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/comments?post=12370"}],"version-history":[{"count":25,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/12370\/revisions"}],"predecessor-version":[{"id":12411,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/posts\/12370\/revisions\/12411"}],"wp:attachment":[{"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/media?parent=12370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/categories?post=12370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/in2past.org\/pt\/wp-json\/wp\/v2\/tags?post=12370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}